Paul
Goble
Staunton, December 7 – Sixty-five
percent of the content Belarusian television viewers watch is of Russian
origin, something that concerns the Belarusian government but something that
Minsk cannot afford financially with content from other countries or afford
financially and politically with content produced by Belarusians, according to Pavlyuk
Bykovsky.
But the Belarusian leadership is not
the only one that is constrained by this, the “Naviny” writer says. So too is
Moscow because when it has put explicitly anti-Lukashenka materials into its
programming, the Belarusian government has moved quickly to remove them and to
look elsewhere for replacements (naviny.by/article/20161207/1481090841-rossiyskiy-kontent-na-belorusskom-tv-rezat-boyatsya-zameshchat-nechem).
Moreover, Bykovsky says, they both
seem constrained from more dramatic steps by the principle articulated in
George Orwell’s dystopian classic, “1984,” in which it is said that Oceana has
always fought with East Asia and been friends with Eurasia except when things
change dramatically and the reverse is true.
“Who knows who will be the eternal
enemy tomorrow and who will be the eternal friend” of Belarus or Russia, the
commentator continues.
According to Belarusian statistics,
48 percent of Belarusians watch the hybrid channel NTV-Belarus, and 21 percent
watch the Russian channel NTV. Minsk doesn’t censor these channels, although it
has reacted quickly whenever Moscow television has crossed the line and
attacked Lukashenka.
Additional Belarusian statistics
show that 65 percent of Belarusians watch ONT, but only a miniscule number
watch Moscow’s First channel. But since
ONT “uses the content of Russian television,” that means that the number of
viewers of borrowed Russian programs exceeds the audience of Belarus 1.
Belarusian television “actively uses
Russian content,” and the fact that the share of Russian content now approaches
65 percent has disturbed Minsk officials including Igor Buzovsky, the deputy
head of Lukashenka’s Presidential Administration. But doing something about
that is another matter.
Belarusian
producers have “made attempts” to create domestic programming, but in most
cases, they lack the resources to do more than put on New Year’s musicals and
weekly socio-political talk shows. And even those cost so much that the
Belarusian government is reluctant to fund them, especially if they promise to
showcase opposition views.
Two
years ago, Lukashenka signed an agreement with Ukraine for cooperation on television
programming, but nothing has come of that as of now, Buzovsky continues. That is because Belarus wanted inexpensive
Ukrainian entertainment programming while insisting on full control over anything
that might have political implications.
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