Paul
Goble
Staunton, February 20 – In much the
same way that Orange Revolution in 2004 did, events in Ukraine now are pushing
the Kremlin to take a much harder line against the creative class, leading to “the
rebirth of an ideology” which, in calmer times, the Russian authorities “have
tried to hide.”
That is the conclusion Mariya
Glebova of URA.ru reaches on the basis of a speech this week by Igor
Kholmansikh, presidential plenipotentiary in the Urals Federal District, to a
Moscow meeting of the iIzborsky and Tagil Clubs when he was forced by the press
of events to drop the discussion of Russia’s military industry and focus
instead on Ukrainian developments.
Igor Kholmansikh told a meeting of
the influential Izborsky and Tagil Clubs in Moscow this week that Russia’s leaders
need to “decide what to do with them” in terms that URA.ru’s Mariya Glebova
suggested mark “the rebirth of an ideology which in peace time [Russian
leaders] have tried to hide” (ura.ru/content/svrd/19-02-2014/articles/1036261376.html).
Arguing that Kholmansikh’s words are
“the first reaction of [Russia’s] authorities to the war in Kyiv, Glebova says
that they suggest the regime is “returning to the rhetoric of the conflict
between workers,” on the one hand, and “hipsters,” as members of the creative
class are often called, on the other.
That represents a return to the
rhetoric Moscow employed at the time of the Orange Revolution, the URA.ru
journalist says, a time when the Maidan was able to replace the president of
Ukraine but when “in Russia, this led to a toughening of the regime.”
Kholmenskikh had been scheduled to
talk about Russia’s defense industry the day before yesterday, but given what
was taking place in Ukraine, few at the meeting were prepared to focus on that,
and consequently, the presidential plenipotentiary spoke at large and perhaps
more extemporaneously about Ukraine and its meaning for Russia.
His words, Glebova argues, show “the
rebirth of an ideology which [the Russian leadership] in peaceful times has
attempted to hide.”
The key passage in Kholmenskikh’s
speech, the journalist suggests is the following: “There exists an entire
social strata, the representatives of which earn their living by talking about
the impermissibility of the militarization of our society, about how it is
impossible to develop advanced technology in Russia, about how [only] tired and
out of date people work in the factories, because everything contemporary is to
be found in coffee shops in the capital.”
Then, the plenipotentiary proposed
that the audience talk about “what should be done with this creative class
which in his opinion ‘had become a certain brake on the development of our
society and anti-social force.”
That was enough to spark a
discussion among some members of the audience who proposed various ways to “do
away with” such “hipsters.” Some, for
example, suggested that their place should be taken by “muscular” workers, and
others said they should be forced to work in military industry. Others,
however, perhaps because they were appalled simply left early.
Kholmanskikh reacted by saying that “it
sounds as if I am calling for a judgment of the creative class. But I [simply]
asked what should be done with it.”
Aleksandr Prokhanov, the leader of
the Izborsky Club, commented that “perhaps we will hold [the next meetings of
the group] not opposite the Kremlin in the National Hotel but somewhere” like “the
permafrost zone” of the Russian Far North.
Makhaevism, the view that those who
engage in intellectual activity, not just the capitalists, are the real enemies
of the working people, has never been far beneath the surface of Russian
politics despite all the criticism the early 20th century works of
Jan Machajski, a Polish anarcho-syndicalist theorist, in Soviet times and
since.
It would be truly tragic if the efforts
of Ukrainians to block the rise of a dictatorship in their country should
become the occasion for a new round of Makhaevism in Russia, one that would
seek to redirect popular discontent away from the new Russian capitalists to
the Russian creative class.
Unfortunately, as the comments of
Kholmanskikh and the reactions of the Izborsky Club suggest, that is all too
real a possibility now.
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