Paul
Goble
Staunton, September 4 – Of the
roughly 2,000 leading writers and scholars Stalin liquidated in the 1930s and
1940s, one in four – some 500 – were from Belarus, five times the share of the
population of that republic in the USSR, Svetlana Gavrilina says, a major
reason why Belarusians like her “didn’t know their own literature.”
That must be remembered, the
Belarusian writer says, whenever anyone says that Belarus has never had an
independent culture but is simply a branch of the Russian or Soviet Russian one.
Stalin wiped it out, killing off those who wrote in Belarusian, Yiddish or
Polish (kasparov.ru/material.php?id=5F51D617BF3D3).
That dismissive attitude continued
in post-Stalinist times. Russian language specialists had to choose a second
Slavic language as part of their training, Gavrilina recalls. They could choose
Czech or Polish but never Belarusian (or Ukrainian). Ethnic Belarusians weren’t
able to read their own national literature or its branch in the emigration.
That was banned.
That contempt for Belarusian and the
Belarusian nation extended far beyond the borders of the Soviet Union. The
author of these lines decided to become a specialist on nations in the USSR
after one of his professors, asked what he thought about Belarusians, said that
he felt about them the same way he felt about any other “backward, peasant,
anti-Semitic people.”
As a result of the heroic actions of
the Belarusian people who have come out against “the last dictator in Europe,”
many people not only in Belarus but in Russia and the West are finally
recognizing that Belarusians are a nation with a rich and complicated history,
fully deserving the attention that they have always lavished on other more
powerful states.
As they do so, they need to explore
not only the political aspects of that history but the cultural and
intellectual ones as well. Sadly and indicative of the problems they face,
those who want to do so will have to begin by turning again to a two-volume
work published more than 60 years ago: Nicholas Vakar’s Belorussia: The Making of a Nation and his separate bibliographic volume (Cambridge,
1956).
Despite
all that has happened in the intervening decades and the awarding of a Nobel
Prize to a Belarusian writer, Vakar’s work remains the most comprehensive guide
to a national culture that Stalin sought to extirpate from the face of the earth
and that all too many people as a result have neglected.
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