Paul
Goble
Staunton, November 24 – Ambitious
young people in many regions of Russia want to move to Moscow to pursue a
career, a trend that along with other demographic factors is leading to the
hollowing out of arts of the country. In
an attempt to slow if not stop this exodus, regional leaders are producing
films highlighting the difficulties such migrants will face.
In
the Russian Far East, for example, a new poll shows that 40 percent of the
graduates of universities there believe that the only way for them to have a
chance to succeed in the future is to leave that region and move to Moscow or
another Russian metropolis in the European portion of the country (www.lgz.ru/article/20294/).
Writing
on the “Osobaya bukhva” portal this week, Vladimir Titov says that “regional
authorities are dissatisfied that their ‘principalities’ must pay tribute to
Moscow not only in the form of taxes but also with the outflow of ‘human
capital.’” While at present they can do
little about the former, they are now trying to do something about the latter.
In Kaluga, for
example, Titov says, “the ‘city fathers’” following the example of Kirov oblast
“have made a propaganda film in which young people are told” about the problems
they would face in the Russian capital and the opportunities they have if they
will remain in the oblast (www.specletter.com/obcshestvo/2012-11-22/moskva-i-provintsialnaja-molodezh-slezam-ne-verjat.html).
The Kaluga film, “Myths about
Moscow,” contrasts the images of the good life in the Russian capital – high pay,
good infrastructure, and opportunities for advancement – with the experiences
of Kalugans who have gone there, “not made a career, failed to become a pop
star, or built a business which could survive the competition” (smartnews.ru/regions/kaluga/2116.html).
The message of
the new film which has not yet been widely shown but is scheduled to be is “simple”
– Kalugans, both those who never went to the capital and those who returned
home after failures there, have done much better in their native region and,
more than that, have real prospects for the future.
It is far from clear whether the
film will have the impact its backers hope.
On the one hand, Moscow remains attractive: there are some 60,000
Kalugans living there now. And on the other hand, the gap between incomes and
expenses may now be as great for most people in Kaluga as it is in the Russian
capital.
In his commentary, Titov
extrapolates from the Kaluga experience to speak about what it reflects more
generally. He argues that unlike the United States in the past, Russia like
Ancient Rome and Byzantium has been a centripedal rather than centrifugal
empire, a place where people have sought to come to the capital rather than
succeed on the periphery.
But he notes that Russia “was not
always” that way. Now, however, Titov
suggests, it is becoming even more so, with Moscow controlling all the flows of
wealth and development in the country and the regions, increasingly losing
population, fighting a rearguard action to block the further “hollowing out” of
the country.
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