Paul
Goble
Staunton, March 9 – A group of
Chuvash activists in Moscow are seeking to save their native language through a
series of small steps, unsupported either by their home republic or by its
permanent representation in the Russian capital, including perhaps most
dramatically drawing Chuvash letters on their faces much as some African women
do.
That effort, Mariya Koshelova says,
is one that dramatically attracts the attention of all who see these letters
and who are thus led to ask about the language, something that is critically
important for a small and, what is more important, extremely widespread
community which lacks many of the structures more concentrated ones have (idelreal.org/a/28358325.html).
Organized by the
AvanClub in Moscow, this project goes by the name "ТУРĂ ПАЛЛИ – ТУРĂ ПАНИ,” Chuvash
for “the sign of god is the gift of god.”
Koshelova says that some Chuvash support her work but that the Chuvash
representation in Moscow doesn’t. “It is a dead structure where nothing
happens.”
(Such
offices, which trace their origins to the first years of Soviet power,
sometimes matter a lot in national rebirth and sometimes are only effectively
travel agencies for officials and students from the republic they
represent. Many of those representing
union republics before 1991 subsequently became embassies.)
Koshelova
says that for her, the survival of Chuvash, a Turkic language in the Middle
Volga, is “an open question.” Thanks to Catalonian expert Hector Alos-i-Font,
there is some information on the status of Chuvash in Chuvashia, but “no one is
investigating the situation in Irkutsk or in Bashortostan” where many Chuvash
live.
(On
Alos-i-Font and his ground-breaking research, see
windowoneurasia2.blogspot.com/2016/01/an-insidious-way-moscow-has-employed-to.html and http://windowoneurasia2.blogspot.com/2015/01/window-on-eurasia-chuvash-gaining-on.html.)
What makes Koshelova’s work so
interesting is that she did not grow up speaking Chuvash. Instead, she spoke
Russian in the home. But now, she says, she tries to use her national language
every day in conversations with her parents and with her children so that “the
chain” of language and culture will remain unbroken.
Building on her use of Chuvash
letters as body decorations, she and other Chuvash in Moscow are now organizing
lectures in Chuvash (with Russian subtitles) in order to demonstrate that “in
our language, it is possible to speak on complicated and interesting things.”
So far, this has not gone beyond social networks, but she says they plan for
more steps in the future.
What will be interesting to see is
how Russian officials and cultural guardians will view such efforts given their
obsession with the hijab. But the painting of Chuvash letters on as makeup is
perhaps one of those below the radar screen actions that Russian
assimilationists won’t notice until too late to matter.
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