Paul
Goble
Staunton, December 20 – Few Soviet
novelists have as bad a reputation both among Russian liberals and Western scholars
as Vsevolod Kochetov, whose 1969 diatribe novel, What Do You Want? has been attacked as obscurantist or worse by
people ranging from liberal editor Aleksandr Tvardovsky to the gray cardinal of
the Kremlin Mikhail Suslov.
In the novel which was published by Oktyabr but not issued as a separate
book in the Soviet Union except in a small and then confiscated edition in
Belarus, Kochetov describes how a former SS officer working with a Russian émigré
comes to the Soviet Union to spread Western values and ultimately weaken the
communist regime.
This Western plot, Kochetov says, is
ultimately defeated by the vigilance of some but far from all Soviet people;
and he more than implied that the leadership of the country had failed to
recognize just how dangerous threats of this kind were and how they could under
certain circumstances lead to the destruction of the Soviet Union.
For this novel and for his other
writings and statements in a similar vein, Kochetov was attacked as one would
expect by Soviet liberals; but he was also condemned by the most conservative
members of the communist establishment. Only four years after his novel
appeared, Kochetov was driven to suicide – and Suslov decided that even that
could not be reported.
For most of the last 50 years,
Kochetov’s reputation has remained bad; but now in the 105th year of
his birth, Vladimir Malyshev, a Russian nationalist critic, is seeking to
resuscitate him as “the write who predicted the mechanism of the destruction of
the USSR” and whose warnings remain important for Russia now (stoletie.ru/territoriya_istorii/_besy_1960-kh_375.htm).
That pro-Western Russian
liberals should have attacked Kochetov, Malyshev says, is completely expected;
but that they should have been joined in “a united front” by the leadership of
the CPSU was the real problem – and an indication of the continuing threat that
the novelist warned about a half century ago.
Is it not the case, Malyshev says,
that something similar is happening today when the Russian police suspect director
Kirill Serebrennnikov of theft of state property, but “the entire Moscow ‘elite’
appears at the Bolshoy for the premier of his ballet and demonstratively gives
him an ovation?”
Few read Kochetov now, the Russian critic says; but
that is unfortunate because as one critic pointed out, his novel was, albeit at
a lower artistic level, like Dostoyevsky’s The
Possessed, a depiction of the real threats to Russia that people across the
political spectrum did and do not want to face.
Kochetov’s work, Malyshev concludes, “is not simply a novel: it is a novel as prediction.” It described with precision the instruments that could be used and in Malyshev’s view are being used to destroy Russia. He thus should be read once again, and his arguments taken seriously.
Kochetov’s work, Malyshev concludes, “is not simply a novel: it is a novel as prediction.” It described with precision the instruments that could be used and in Malyshev’s view are being used to destroy Russia. He thus should be read once again, and his arguments taken seriously.
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