Paul
Goble
Staunton, January 10 – Sometimes a
simple enumeration of apparently unrelated events provides a more compelling
and often more disturbing portrait of a time than a more formal analysis. That
is what Russian analyst Lilia Shevtsova has provided today in a Facebook page (facebook.com/ShevtsovaLilia/posts/1670891426501015?fref=nf).
Under the title, “Post-Modernism. Or
Sketches for a Portrait of Our Time,” she lists the following features of the
present moment:
“A gas station
pretending to be a superpower.
An aggressor
country as the guarantor of a peace agreement.
A former German
chancellor as an apparatchik of Gazprom and a former British prime minister as
a Nazarbayev advisor.
Siemens AG Daimler
and Mercedes Benz as the face of Western business and at the same time of
corruption – competition for these roles is enormous.
Liberals in the
Russian government as a group working for the salvation of autocracy.
Rights activists
who receive grants from the Kremlin for the defense of rights and freedoms, a
problem which the Kremlin has already solved.
Russian democrats
who instruct Ukraine how to conduct reforms.
Experts and
politicians who complain about the ‘denigration’ of Russia from nice houses in
Londongrad.
Nationalism – we defend
Russian speakers! – as an instrument for saving an empire that has as yet not
fully disintegrated.
A struggle with
international terrorism in Syria which gives rise to terrorism in Russia.
Analysts who show that
there is ‘a demand’ in Russia for that power which we have.
Political analysts
who assert that the more we imitate democracy, the greater the chances that it
will appear with us.
America as a
system-forming factor of the Russian state, [but] what will happen with the
legitimation of the Kremlin if the Americans suddenly fly off to the moon?
Pavlovsky and
Belkovsky as gurus of liberal-democratic thought; others are not required,
which says a lot about the audience.
‘The collapse is
coming!’ as a stimulus for happiness.”
“This is our time, colleagues,”
Shevtsova writes, although she acknowledges that “the portrait is far from
finished.”
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