Paul
Goble
Staunton, August 12 – Aleksey Levinson,
a Levada Center sociologist, says that iron curtains like the one now being
erected around Russia are a political strategy that reflects weakness rather
than strength and that its appearance is not the end of the story but somewhere
much earlier.
In an interview published in this
week’s “Ogonyok,” Levinson says that “iron curtains” “arise not by themselves
in a country that is well off.” Instead, they appear “when things are already
in a bad way” and are erected by the authorities to protect themselves by
drawing on the loyalty of the population to the state (kommersant.ru/doc/2542566).
Moreover,
he says, this form of isolation consists of two kinds: one that is set up by
the authorities when “the external world is more or less indifferent” to what
occurs inside the country and another when the curtain is erected “under conditions
of sharp conflict with the external environment.”
Over
the last weeks and months, he continues, Russia has passed through three
phrases in this regard. In the first, “there was no curtain at all.” In the second,
people
began to talk about a hostile environment and some administrative borders went
up. And now, in the third, it is going up with the help of both inside and
outside sanctions.
Far more Russians believe that their
country is surrounded by enemies and that they are isolated in the world than
believe that they can exist in an open international environment, Levinson
says. Indeed, at present, Russians identify only three “friendly” countries:
Belarus, Kazakhstan and China.
That the first two are viewed as
friends reflects the fact that they are indeed Russia’s closest allies, but the
situation with China is more complicated. Not only have Russia and China been
at odds in the past, but “for China Russia is not only not a friend but even
not a partner” because in any contest, Beijing would come out on top.
“And so,” Levinson says, Russians “live
in a circle of enemies.” Most Russians accept that and declare their support of
President Vladimir Putin as a result. He points out that “support of the
president in Russia has a deeply symbolic character: it is an indicator of the
unification of society around a certain center” and not a measure comparable to
those in other countries.
With regard to the current
sanctions, a significant majority of Russians “prefer to live as if nothing has
yet happened.” Young people are especially indifferent to
them, he says, because they assume that they can outlive them. But that of
course means that they “will not go into the street with anti-war placards.”
The group most concerned by the
prospect of a new iron curtain, Levinson continues, includes bureaucrats and
leaders of various levels. They are most concerned, “apparently” because they understand
to what this will lead.”
But this doesn’t mean that
everything is fine, the sociologist says. On the one hand, Russians “are afraid
of something more terrible than curtains.” That is the possibility of a third
world war.” And on the other, “the
majority of the population does not have a real consciousness of the danger in
which Russian now finds itself.”
As vacation season ends and as the
fallout from Ukrainian events on Russia’s relationship with the West becomes
clearer, Russians will have to face up to the fact that “the raising of the curtain
is not an accident.” It is something Russian elites have done for their own
benefit. In Soviet times, they put up with this; but now, “the people, of
course, are no longer Soviet.”
The process of erecting a new iron
curtain and the possibility of combatting it are long-term propositions,
Levinson says. If the elites succeed in
raising this curtain, it will be a tragedy for the Russian people. But at the
same time, if they try and fail, it will also be a problem because there is no
obvious way out.
“In fact, [Russians] do not have an
alternative elite with an alternative picture of the world,” Levinson says, “and
few are those who would agree to return to Gorbachev’s ‘new thinking.’”
Much of this now appears almost “funny,” he says, but
Russians must face the fact that they are “participants not in a vaudeville
performance but in a drama in which the curtain falls not at the end of the
spectacle but at the very beginning.”
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