Paul
Goble
Staunton, February 23 – In a short
story written under the pseudonym Aron Shemaier, Archpriest Vsevolod Chaplin, a
close advisor to Patriarch Kirill, describes the end of Moscow in 2043 when “the
Moscow Confederation” is attacked by “fascists from ‘Free Russia,’ Islamists from
the Caucasus, and rightwing figures from Ukraine” at one and the same time.
Moscow’s end becomes possible,
according to Chaplin, because it has become “the antithesis of traditional
morality” with Krasnaya Presnya renamed “Blue” to honor homosexuals, the Church
having disbanded itself, and “the new social order inspired by the ideals of ‘the
Great Sexual Revolution” and maintained by African legionnaires” (ttolk.ru/?p=23034).
The Orthodox churchman told “Nezavisimaya
gazeta” that he has employed this dystopian format to show “what could happen
in 2043 if we continue to follow ultra-liberal values into a dead head. These
values cannot fail to end in anything but totalitarianism because they are
lifeless,” he argued (ng.ru/people/2015-02-18/6_chaplin.html).
Such false ideas, Chaplin continued, “can
be adopted only as the result of harsh information and political pressure and therefore
I drew this picture of a liberal hell. The text is quite long, but those who
want to can read through it” to find “dozens of social phenomena” which Russia
must avoid if it is to survive.
He added that his
portrayal of Russia as having fallen into pieces over the next two decades
reflected his view that “if we do not turn away from the diktat of pseudo-values,
this collapse is inevitable.” But he
points to the story’s insistence that “the supporters of totalitarian
liberalism hold ever smaller territories, practically only Moscow,” and have to
use foreign mercenaries and nuclear weapons to hold even that.
Asked why he
wrote under a Jewish name rather than his own, Chaplin said that he is “a big
Judophile” and came up with that name about 20 years ago when he began writing
fiction to make his theological and political points. Others, of course, might suggest a darker and
more cynical calculation on his part.
Something of the
tone of Chaplin’s story, “Masho and the Bears,” is captured in the following
passage in which the citizens and residents of the Moscow Confederation are
called upon to listen to the appeal of Tasho Pim, identified as the press
secretary of the president of that state who is also head of “the Assembly of
Leaders of the Great Sexual-Democratic Revolution.”
He declares: “’the
fascist beasts from so-called Free Russia supported by the national revanchists
of Ukraine and the Islamist fanatics of the Caucasus are treacherously planning
to attack the last outpost of real freedom in Eastern Europe, [of the ideals
of] our Great Sexual-Democratic Revolution.’”
At least three
things are worth noting about this story besides the light it sheds on the thinking
of people close to the top of the Moscow Patriarchate who have more than a
little influence on Russian President Vladimir Putin. First, it is a remarkable
recognition by such circles of just how fragile the Russian Federation now is.
Second, it underscores
the increasing divide between Moscow, on the one hand, and the rest of the
country, on the other. And third, following from this, it contains a virtual
invitation for those beyond the ring road to attack some of those living in the
name of saving Russia and the Russian values Chaplin and those who follow him
prefer.
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